Trio Canadian Australia have been grouped in with synth-gothisms of Zola Jesus and Fever Ray, but there is a clean and sharpness to their subject which belies these associations. Katie Stelmanis sings of a cut glass voice and the accuracy of the electronic music behind it - always carefully mastered, never overwhelming - perhaps chilly, but rarely is foreboding. Losing its hook combines a silent chirrupp with triple synth line that looks like ice tumbling, but it is obvious pop. The Beat single pulse is perhaps the reason for goth comparisons: the dark from the album, and most is time happened with a video YouTube has seen fit to ban in its original form. Nevertheless, it would not call feel it simple Break: Stelmanis is high enough to keep the listeners on the toes, without switch being irritating, adding a pinch of spice capable of fascinating art crowd and pop record.
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