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Saturday, 28 May 2011
Group Therapy
The eagerly awaited second artist album from Above & Beyond, the follow up to the band's acclaimed debut album Tri-State, now widely recognised as one of the landmark electronic albums of the last decade.Price: $14.98
Scarlett Johansson recorded the song with Massive Attack
Study of Scarlett... Cover of record player in the song of Gershwin with Massive Attack. Photography: Jason Merritt/Getty/PRMassive Attack have collaborated with actor Scarlett johansson on the soundtrack of a Mexican forthcoming thriller. Dias de Gracia (grace period), directed by Everardo gout, also original music by Atticus Ross, Nick Cave and Warren Ellis and Shigeru Umebayashi has.
Dias de Gracia is a tale of murder and kidnapping of split across three separate scenarios, with different composers marking each narrative thread. Each segment took place during a World Cup of different final in 2002, 2006 and 2010.
Bad Seeds, Cave and Ellis scored the 2002 history after drop heard their work on the proposal and the assassination of Jesse James by the Coward Robert Ford. "They have created a piece that integrates superbly sounds, noises, urban environments and animals, which could only have been composed by them," said.
Ross, who won an Oscar in February for his work with Trent Reznor on the score of The Social Network, composed the soundtrack for the story of 2006. "He has worked on the feeling of apprehension for the most part," drop says, "something more visceral, more warm."
Umebayashi, a Japanese composer who has worked with Wong Kar - wai, wrote the "calm and sophisticated" music for the history of 2010.
The film uses also several versions of the classic jazz of George Gershwin, Summertime, performed by Janis Joplin and Nina Simone. The most unusual rendition is the last: a new approach to the standard of Johansson and Massive Attack of Bristol. Johansson, who does not appear in the film, released an album of Tom Waits covers in 2008 and has worked with Pete Yorn in 2009.
Dias de Gracia was presented this week at the Cannes film festival. It was a "sign of the status of cult [future] film", depending on the variety, which praised its "intense, bass-heavy score".
Columbia-Princeton Electronic Music Center 1961-1973
The Sub Rosa label presents the work of Alireza Mashayekhi and Ata Ebtekar/Sote, two essential, key luminaries in the so far very unknown electronic music scene as composed in Iran from the '60s until today. These Iranian music masters work on ancestral structures to create something radically new, travelling around the world as vivid creators, working through the hazards of history. Alireza Mashayekhi (b. 1940) is a pioneer Iranian avant-garde composer whose ideas and works have been performed in his home country and abroad for more than 35 years. Ata Ebtekar aka Sote (b.1972) is an electronic composer, sound artist and recording engineer who is interested in recasting the tuning of Persian classical scales (radif) and melodies from old Persian folk songs within a new electronic framework. Since he has a firm conviction that rules and formulas have to be deconstructed and rethought, he alters some of these modal systems from their original tonality and rhythm. He has released several CDs and vinyls on Dielectric/RLR, Spundae and Warp. Sub Rosa offers you a Persian history lesson that finally exposes this region's rich and significant contribution to the realm of electronic music.Price: $17.99
New group of the day - not 1,028: Laurel Halo
The ghost of Kate Bush? ... Laurel Halo is more my life in the Bush of ghosts. Photography: Josef KraskaHometown: Brooklyn.
Range: INA Cube (music, production).
Background: New artist of Friday featured in this column because it is a phenomenon of sale in some parts of the globe. Act today is here because the textures and tones in his music appear to reflect the ever-changing nature of phenomena and phenomena of nature. That which we are concerned, for reasons of biography, the other mesmerises due to the quality of its sound.
It is not to suggest that it is not a character interesting in its own right. far from it. An electronic composer of 25 years of Iggy Pop home town of Ann Arbor born the Cube of the Ina, she said that she took the name of Laurel Halo because he "reminds me of video gameand the infinite." And it's fun to have a pseudonym. As a child, she learned classical piano and spent time in various orchestras, ensembles of improvisation and noise groups - and you can say his latest EP, a collection of the evolution of sound landscapes which are about what you imagine That Jon Hassell of the Fourth World albums might look slow: a blur or blend of ambient and electronic air composition of avant-garde and fluidity jazz and rhythms that could also easily emanate from Africa as they could leave an unknown place in space.
It is not surprising that this former radio College freeform DJ - i.e., it plays free music on the waves, at College not engages in a strange process of changing shape – has a penchant for the Sci - Fi, and likes to make ideas in this area focus on his music. Why? Because in Sci - Fi "you are always presented with what is outside of your field of current vision - your cultural situation, and technological capabilities - and I like to think of what exists outside your range of vision".
If you think that Ms. Halo sounds a little on the cerebral side, we have to agree. Dating currently Mr. Brainy himself, Daniel Lopatin aka Oneohtrix Point never, she sees music in terms of forms - "domes, arches, webs" - and tells how innovative music exposure systems early Steve Reich "" totally shattered the concept of waiting in my head"." Elsewhere, she talks about the influence of all, of the Detroit techno "asymptotic quantification of memory". His songs are mainly instrumental and it whispers or vapour trails of voices tweaked or processed, leading some to compare the sound for the ghost of Kate Bush, but it is more my life in the Bush of ghosts.
The piece of opening on his EP, aquifer, is all polyrhythm CAD-style and Oneohtrix pan-desperately. It is music that reveals little by little, that opens before your eyes, leaving lasting impressions on your retina. Constant index could be the soundtrack of a futuristic film in which Tom Cruise runs by an assailant unknown cyber while reflecting to the female of the device, with which he is suddenly been thrown together. Head is seven minutes of static, drones and interference which suggests forward-voodoo of snowmobile 23 engulfed by a cloud of ash. Speed of rain is heavily percussive without being oppressive and has a hint of acoustics and a sherd of Symphony, such as beatings with a radio dial and briefly down on different stations. Finally, logical time communicates wonder and wondrousness with music that induces a Pacific State. Prepare for after-shocks and happiness.
Buzz: One of our favorite artists breakthrough of the year - factmag.com.
The truth: Think of oxygen for wired in Brooklyn.
Probably to: Mirage-like event horizon.
The least likely of: Make an ambient version of Search and Destroy.
What to buy: The logic of time EP is out June 21 hippos in tanks.
next to the file: Glasser, of Oneohtrix Point never, 808 State, Can.
Links: myspace.com/laurelhalo.
New band Tuesday: Michael Kiwanuka.
Your love by Frankie Knuckles: a song that will be to always be divaguée on
Try the exact appeal of a song of the nail is like taking a hammer to a frog. Of course, you splay its entrails and identify the individual bits that make it what it is, but why you would want to? Is never this metaphor daft truer than in the case of dance music, where the classics of the genre are supposed to transcend analysis nerd.
But sometimes a song has this power can define a type and a generation - surely that deserves more than just fleeting dancefloor glory? Goes so the story of Your Love by Frankie Knuckles, a track as an anthem for 1989 Summer of Love Britain, without wanting to go to influence a quarter century of pop music and culture of dance.
"The line of synth process that analog bassline thick, fat, it is one of the few Arias that captures the spirit of the acid house," said Nick DeCosemo, Chief Editor of Mixmag. "Many current producers search still return to her inspiration.". DeCosemo insists electronic music would not be the same without it. Dave Pearce, who has interviewed Knuckles for a special edition of 6Mix on BBC 6 Music last weekend, is in agreement. Pearce told me that this is not only misty-eyed rave nostalgia that gets him going, "it works because it manages to combine a spirituality soulful with a darker side, while being at the same time very sexual". Not bad for a track recorded for laughs unique Club house of Chicago, The Power Plant, with a box with rhythms borrowed from Derrick May and pal Jamie principle song roped in the DJ booth.
Knuckles, a New Yorker of 55 years, the name almost never appears in print without the words "Godfather of House" which precedes, even managed to pip icon of Chicago Oprah having a street bears his named in the city of windsso appreciated is its influence on the music scene. During this time, Dean of the daytime TV America was not until around this week before finally developed the honour with Oprah Way.
But it is not just me, DJ's club, and the Mayor of Chicago who remain hypnotized by the Knuckles back catalogue: Animal Collective sampled Your Love on my daughters while Friendly Fires on their EP of photomatons. And, well heard, the Source You Got for Candi Staton pursuant to joint of love and produced an even greater success (several times more), spawning additional covers of Florence and the Machine, the xx and, er, joss stone.
In short, pop music to your just love debt for these old enough not to have indulged the days of acid house (as opposed to the crowding of the box for the next episode of Fun house). Or if the track can be relegated to supporting the tanks negotiate 1990s pop. To paraphrase Pearce, its lifetime extends well beyond the usual dance music sell by date, in large part because "it is an exquisite folder, that you can lose really yourself." "It will be just live for ever".
This Is Country Music
Brad Paisley- This Is Country Music is led by the hit single and title track, "This Is Country Music," which exploded on the country radio charts. The album includes special guest appearances on songs like "Old Alabama (Featuring Alabama)" and "Remind Me (Duet With Carrie Underwood)." Paisley has 18 #1 singles to his name with album sales of more than 12 million. Paisley is also a three-time Grammy winner, a four-time ACM Top Male Vocalist, and is once again nominated for the ACM Awards Top Male Vocalist and Entertainer of the Year.Price: $11.96
Balance 19 DJ Mix CD last version in Spanish DJ, Henry Saiz
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Balance 19 Mix CD with Henry SaizThe Spanish producer of electronics, Henry saiz brings its unique formula to the series of mix estimated with an exciting name approach. Thanks to try to fill the creative space closer to that of an artist, rather than a club mix album, Henry gently created an Odyssey in the Strait.
CD1 explores how music has the power to retain and store personal emotional experiences. It is the characteristic of Henry Saiz love more music, this evocative power to send you back to your childhood or at a specific time of your life. To create this evocative and psychedelic atmosphere, this CD has a sound of elaborate designed lo - fi using different formats analog as the cassette or vinyl. Saiz skillfully exploits complex knowledge of sound with a multitude of layers, sampling, modifications and the use of the lot of song to create a melodic and intense experience that attempts to connect with the complex emotions and memories.
Following the same concept, but offering a balance is CD2, which is more oriented to the dance floor. As always, the selection of the runway is eclectic in its prospects, but has a feeling of precise tech-house which is tinged the influence of the House, melodic Techno, Disco and Detroit alongside the plethora of styles that Saiz uses for his musical motivation.
Adding to the experience, is the fact that Henry has chosen to use only the original productions and exclusive collaborations with other artists. Therefore there are many rare inclusions on list of tracks that make for a completely fresh listening experience.
Highlights notable are new downtempo Saiz version of "Lady in the Mirror" and new tracks of him as "Eterno Retorno", which merges effortlessly past and present. Exclusively made for this are collaborations with Marc Marzenit, Dosem and Pional. New songs such as "Together' by the community of the border Ricardo Tobar and Petar Dundov aka"Solar sailor Horizons"review musical journey of Henry with their distinctive sound of progressive and futuristic."
In addition, new moniker of Henry "hal incandenza" is presented here for the first time and offers some amazing form productions of "mountains little" and "mystical Tree."
Following the precedence set by artists featuring previous such as James Holden, Agoria, Joris Voorn, balance 019 is another really breathtaking output of one of the proponents of electronic music and fully responds to the expectations and thinking of the seminal mix series.
Balance 19-Henry Saiz CD 1
01 Intro - memories recorded notes voice, moments, with an old radio in a ghostly artificial paradise
02 Tyrane "king of the Invisible land" (Henry Saiz we are the Music Makers 303 remix)
03 Hal Incandenza "mystical tree".
04 Henry Saiz "1981".
05 Jesse fit & Henry Saiz "honey wine".
06 Hal Incandenza "little mountains" (Henry Saiz rework high-end)
07 Spada "Onice".
08 Henry Saiz "Lady in the Mirror" (Mediterranean haunted Beach Version)
09 Cora Novoa & Spaceman "Black Heart" (Henry Saiz of Cassette 95 repeated)
10 Kitkaliito "letting go" (Henry Saiz GNI added Version)
11 Esperanza "ink".
12 Henry Saiz "Eterno Retorno" (acid Trance version of the 1990s)
13 Interlude
14. Pional & Henry Saiz "uroboros".
Balance 19-Henry Saiz CD 2
01 Calypso synth set "Gaia".
02 Armed "Caminando Sobre area del Sol"
03 Henry Saiz "vargtimmen".
04. Eelke Kleijn "Lone Ranger" (Henry Saiz Ocean Drive Remix)
05 Electric Orchestra mono "indifference" (Henry Saiz Queztalli resume)
06 Charles Gudagafva "hej da? Tango."
07 Spada & Henry Saiz, "dark".
"08 Dosem & Henry Saiz"Zen"boat"
09 Ricardo Tobar "together".
10 AMyn "She" (Henry Saiz balance Edit)
11 Solar Sailor "Horizon".
12 Marc Marzenit & Henry Saiz "Radiance" (Version of balance)
13. Liz Cirelli & Minski "Journey of the Dolphin"
14 Okain "Thank you, Come Again" (Live Version)
15 Simon Garcia "If this world was Dub"
16 Henry Saiz feat. Anneke van Giersbergen "Come Wander With Me".
17 Sistema "nodo 6" (Henry Saiz balance repeated)
Balance 19 DJ Mix CD last version in Spanish DJ, Henry saiz
Global release dates
Australia/Asia - June 10, 2011
UK/Europe - June 13, 2011
USA - June 21, 2011
Roxy Music
Roxy Music Photos
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More from Roxy Music
 Manifesto |  The Best of Roxy Music |  Viva! |
 Avalon |  Stranded |  Siren |
Price: $11.94
Kraftwerk And The Electronic Revolution
As innovative as they are influential, Kraftwerk's contribution to the development of electronic music since their formation in 1970 remains unsurpassed. Having inspired everyone from Bowie to Coldplay, Siouxsie to Radiohead, this bizarre collective havePrice: $19.95
Traditional Psychedelic Electronic Music
The '90s never sounded better than on this first-ever hits compilation from the U.K. alt-rock supergroup with pedigrees, including: New Order, The Smiths, and Pet Shop BoysPrice: $11.98
Ohm: The Early Gurus of Electronic Music, 1948-1980
Opening with Clara Rockmore's reworking of Tchaikovsky with the theremin, and finishing with one of Brian Eno's ambient soundscapes, OHM artfully succeeds in its goal of giving a representative (as opposed to the impossible, comprehensive) overview of the first several decades of electronic music. Over 3 discs, 42 compositions, and 96 pages of notes and photos, OHM clearly illustrates the producers' and contributing writers' point that early electronic music is much of the foundation of contemporary music. Herein lies the connective tissue bridging musique concrete, 20th-century classical, electronic experimentation, and the theoretical avant-garde to psychedelia, ambient, dub, techno, electro, and synthpop and the globalization of sound. The groundbreaking uses of loops, sampling, drones, remixes, and cut-and-paste technology are put fully into context. The diversity of music included makes any sort of summation impossible, but that is also the point: electronic music is not really a genre, but an open field of endless possibility. From John Cage's famous "William's Mix" of tape snippets to Karkheinz Stockhausen's electronic orchestral compositions, from David Tudor and Holger Czukay's experiments in unrelated blendings of audio elements to David Behrman's supremely peaceful duet between computers and musicians, the aural renegades on OHM tread where none (save a few of their contemporaries) had gone before. The liner notes convey the incredible amount of hard work and experimentation it took to stitch together many of these pieces in the predigital era. Putting aside the inevitable quibbles about what's missing (much of it due to legal and/or logistical issues), a more complete collection of musical eggheads, eccentrics, and visionaries is hard to imagine. --Carl HanniPrice: $39.98
Friday, 27 May 2011
Chrissy Murderbot: the women's studies - review
chrissy murderbotplanetwomen's studiesMu2011Chicago DJ Chrissy Murderbot put in place a blog in 2009 called my year of Mixtapes to release a mixtape each week, covering all forms of his beloved as possible club music; He was also one of the main conduits by which scene juke in his town has gained international attention. Little surprise, then, that his own music cleverly draws on all of juke-out stretched synths and samples and rapidfire, stuttering beats early 1990s rave pianos and a sequence of dancehall guest MCs. compensating taste persistent eclecticism is the way it puts all these at the service of an overall aesthetic: in terms of dancefloor, women's studies is time of booty after the time of loot, Murderbot play its components off the coast of the other with a light, skilful hand reminiscent of Basement Jaxx. Bussine Down combines fluttering dancefloor with song blandishments, girly. bump Uglies, libidinal songs on the female form meet the coo sweet of a sample of Aaliyah; Warrior Queen leads the sexual energy to the guys on Nice Lookin ' Bwoy. It is a touch overfamiliar in places, but the women's studies is enthusiastic, cheerful and friendly man.
Sunday, 22 May 2011
Holy Spirit! -Holy Spirit!
Calendar is not Holy-Spirit! "s strong. It is now three and a half since the beginning that unique Hold On has emerged as a delightful tingling electronica fusion and Italo-maison piano strings. If they had followed it puts a little more urgent that they could have led in recent years 80 electro revival, instead of being overtaken by some other duos MGMT and the Empire of the Sun. Not only that, but they are finally releasing their self-titled album the same week that James Murphy a reverence as LCD Soundsystem, the question of whether the duo can fill the void left by their boss of the label DFA beggingfriend and collaborator.
The answer to this question is, unfortunately, not really. Then that the Holy-Spirit! share the veneration of Murphy off kilter electro and disco conduct and often quite wonderful sound, that they lack of versatility and emotional depth that lifted from LCD Soundsystem over the hipster scene in NYC. It Again opens the album style, his synth pulse, low and crunchy beats shivers stage, suggesting the superb lovechild of Radio Ga Ga the Queen and Love Action of The Human League. but after the instant impact that sound, the album develops never really.
This is not to say that holy-spirit! is not pleasant. Alex Frankel and Nick Millhiser are obvious connoisseur of 1980s electro and more importantly have found a way to bring it to life in a way which makes fresh healthy and vibrant. Wait and See is a fizzy invention chiming cacophony total keyboard flourishes and flaring synthlines, which Frankel offers a playful song, flirty. It is largely Frankel that Saint-esprit!, for all their synthetic music and hipster credentials, warmer sound as they cool.
There are other titles that glow individually, too. The shuddering synths, whiplash bat and fainting falsettos is not more sound as the Pet Shop Boys Imperial peak, while Say My Name skilfully combines hypnotic melodies huskily and ringing pianos of the House. Unfortunately, more than 10 tracks, the limitations of music of the group become more and more obvious, with songs like Hold My Breath and jam for Jerry searching in the same box of retro schemes to reduce the effect.
Album of the other major problem is that Frankel vague object of girls and clubs and technical voice kind but restricted leave little to grip on as the glossy surface of the sound. Finally, Saint-esprit! supplies a feast of style, but he skimps on the merits.
Gang Gang Dance – Visual Contact
Kinds of scientists estimate that the average man uses only 90% of the potential of their brain. Gang Gang Dance, through their previous albums, have systematically explored the mysterious missing 10%, resulting in a single character which is not fully propel New Yorkers from the underground. A Visual Contact, album five and their first for 4AD, is unlikely that change - there is nothing that could be considered a single crossover. But take off safety catch, sling as stabilizers cancelled and immerse yourself in the beautiful depths and you could find a record to fall in love with several times.
On the contrary, the last LP of GGD, Saint Dymphna Warp out (United Kingdom), was their thrust towards commercial recognition. It includes a collaboration with Tinchy Stryder, above the current graph of the various rapper Brit dominance; and Hot Chip weighed in with a remix which could open more doors a few for the holding of this side of the Atlantic. But despite good reviews, the album and its makers appear destined to sit in the shade of love it pierced the same original singular way as Animal Collective. Visual contact could therefore be understood as something of a retreat from the field of commercial sensitivity, as it does with a track 12 minutes that Miss next to cover notable radio due to its length of opening. A shame: glass jar is magnificent, a masterpiece of spiral, sprawling mischievous melodies that their way of worm in depth, built from brilliant foundations and peak, surprisingly, too soon. It could last for an hour and be always so special.
The song of Liz Bougatsos click with everyone - as Karin Dreijer Andersson of the knife, aka Fever Ray, she manages to sound like the woman who fell on the ground, totally foreign but entirely beguiling that it compresses syllables in limited spaces left by his group. Together, they weave a soundtrack to the future parties, held on space stations revolves around the outer rings of Saturn. Little here seems to be connected with terrestrial movements; and when there is a flash of something of comfortably that, as the course adult Goth oriental and pulsations in the field of fair MindKilla, they are surrounded by the sounds of Bougatsos presence. Only the layers of Romance seems really born of this world, its neo-soul-goes-sci-fi strut distant cousin, distorted seductive tones of D'Angelo; or Grace Jones, the years of Star Trek.
Three incidental numbers expand what could otherwise seem to skimp on content, paper-based embedded processing: but even reduced to his "own" seven songs, it is one of the albums the most fascinating, exciting, original of the year. GGD examined in that, for almost any other artist, is the complete unknown to produce another together offering rich rewards to those who let it work its magic without reaching for the skip or shuffle button. Their relationship with corners of the skull that us do not regularly reach continues to produce remarkable results. Beam in stars and shows that floods in the responses.
Boxcutter - dissolve.
Despite us criticism continually trying to place them in ill-fitting boxes, the best "Dance" artists thrive on never allowing the listener to get a good handle on them - what to expect, and where a recording is going once it is started. This is true of Barry Lynn, alias Boxcutter, who chops countless influences into pieces before bite their spray at the top of his latest album. The final product is awash with intriguing reference points while simultaneously sounding rockets not quite like the work of any other Act. Dissolution is named after the video effect of fading an image in the next, and all this all along, we see the changing forms and of morphing their eyes, ears swimming synths and luxurious beats.
It could take from the dissolve after a handful of listening and call it blurry, incoherent. This is partially true - by jumping intensity to introspection, trails has led voice to instrumentals where the bottom of range rules Supreme (hello, parameter Factory), Lynn rather risk disrupting the stability of his most recent collection. But a part of the joy derived from fourth album of the Irish in the North is that the listener is always kept on their toes. And although all not exactly ready dancefloor frolics, as is the nature of the thing vaguely (yet) classified as IDM, many can find a home in the club and the car, soundtracking the night and the night in both.
Panama gives a deliciously tropical tone, coming as El Guincho mixture with The Invisible while Papua New Guinea from the Future Sound of London is pumped from the next room. The following Zabriskie Disco is completely different: noise deaf bass dub-level fumbles his way around a track meant synth supported and yet easy to handle slips, akin to the vibes summertime squelchy by Planet Mu of Lynn Oriol more. Singer Brian Greene appears three times, his best contributed to cutting to the delight of lo - fi is title-track of this record - more than any artist Panda bears are alongside Boxcutter in the records of dance/electronica. Greene returns the nearest Ufonik: G-funk, updated for the post-dubstep landscape.
He has a little disjointed, a little indulgent, but when the best beats Boxcutter connect with welcoming of synapses, the effect is as subcutaneous fizzy pop on a summer day: brilliant, brilliant, nervous and jovial. Holidaymakers, be sure to pack it next to your factor some and two for a pocket.
Africa-Tech-93 million Miles
Coming from the same Act, which pulled the frenzied unique policies, 93 million miles of could look like a surprisingly meditative album. Only if you don't already know, even if, on Mark Pritchard and Steve Spacek: the two producers making up the Africa-Tech. In forms such as Troubleman and Harmonic 313, Pritchard has always taken an idiosyncratic approach to a multitude of genres (funk, Afrobeat, hip hop and more). Spacek, meanwhile, has worked with the late J Dilla and was also one-third of the Group Spacek, which produces sexy, elegant soul - better heard on the album Curvatia in 2001.
HI-Tech Africa was still a project qualified to take you there. Policies of the leftfield, arrives a conscious intervention on UK grime. He said irascible energy of the genus, but it was more sophisticated SEO history dancehall intelligently any tweaking its riddled with bleep in a ragga classic exotic rhythms. Miles of 93 million at the beginning, underground club music is instantly moved further in the past, as the tracks in the vein of policies (Do U Wanna Fight, Glangslap) and a juke rework of Damian Marley Welcome to Jamrock (the streets) are sandwiched between the title song and our Luv, which integrate effortlessly grime tropes and the kind of production mesmeric perfected by classic Detroit techno outfits Underground Resistance and Drexciya.
The progresses of strain source Drexciya in hypnotism echo in footprint, while that dynamic grime is waived in African spirit, light the way and cyclic Sun for beats more traditional, jazzy instrumentals in which dance in circles of trance. The effect of all feels like a spiritual journey through dance and techno to the soul of Africa, finding y with the gentle Don't fight it.
HI-Tech of Africa have themselves described as being on an "ism", an African connection between rhythmic and the machine. Race across what they do is an atmosphere that exceeds the kind, a captivating fusion of musical sensibilities Pritchard and the Spacek.
Daedelus - custom
Daedelus, aka Alfred Darlington, says the title of this new collection, optimistic Ninja Tune 2008 terrifying track Love to make music at: "I have not only intended as a reflection of the LP itself, but also a look at life". Deep dude. But one may be the obsession of Darlington with the mode archaic Victorian side in the evaluation of this 11-track set - also, like previous long-players from the producer in Los Angeles, is a collection of repositioning of the future that complete the best of today with the sounds from a chart about you around 2014. It is tailor-made, indeed, for a variety of dance request more than today, in a style that some artists are capable of.
The most striking development is the use of not less than seven invited singers, whose wildly different techniques should lead to a final product that is disjointed at the ridiculous. While Darlington allowed singers in the studio in the past, it never skipped by Inara George Bilal, via bath, on the same LP. But any fears of disharmony from track to track are expressed in the wind once the album has run its course for the first time: it's sublime fare, and the singers are used on cuts that respond best to their own methods. Bathroom - alias resident Will Wiesenfeld of his colleague the - therefore appears through the beating of GH-echo slippery French cuffs, that manages to be urgent chilled yet simultaneously without space time by train to implode. and Bilal depends on the upset wonderfully flawed loans soulful tones on a runway with Eastern-tinged percussion that might be the work of Skream if he grew up in Chennai than Croydon.
The instrumentals are suffering for the quality of the voice work around them - well that slightly of the form, in General, they are essential to the flow of a LP which hold together surprisingly well as a complete listening, despite its myriad constituents. Sewing, Darn, Mend and costume yourself, entitled clear to adjust the theme of the record, are numbers brilliant which skitter and slide as the best work of this talented beat-crafter. previous funky coda, the latter is one of the many surprises of the registration, a small bonus in several offers already sumptuous treat. In short, then: another fantastically enjoyable album of an artist whose modus operandi, above anything else, seems to be ensuring the audience is having the best possible time. Good self-absorbed even number should take note.
Audio runner: back in the Studio
It is well past midnight and while most people than Gerritt Tisdale sleep works feverishly mixdown on the last song of the year for electronic music group, he founded Audio Runner. A collection of three high school friends, Audio Runner is quickly made a name for the creation of amazing music and marketing by the bias of the internet and social media.
The quality of the music made by Runner Audio leave you convinced that it is produced in a studio of several million dollars. You'd be surprised (I was) to find that this huge sound is created in a laboratory of tiny music with just enough room for the three musicians and their computers, laptops, keyboards, 2 microphones and small rack of tiny lights blinking of the eyes and the switches. At first glance, this "studio", it is not so impressive, but when these guys are working, the Audio runner machine is something to see. Electronic music, never perhaps even once more.
Gerritt Tisdale, Ryan Daniel and Andy Gonzalez all love music. It is also simple. The plan for any song Audio Runner is that it must be "good". There are no limits, there are no rules, and the only hope is that quality must be top notch. To watch the trio in action would be something to see if you could somehow accelerate as old film of the 20′s. At one point, someone is on guitar and then keyboard then the microphone, then on the computer and then return to the guitar, then all three sit and listen for a minute so that the process starts all over again. You get the idea.
Unlike most artists, Runner Audio does not focus on assemble an album then release to their fans in full growth. Instead, they begin each month with some ideas, he whittle until an idea then will focus on writing, recording and produce a song a month. This means at the end or beginning of each month, they have something new. It is also part of their marketing strategy social media. A way to maintain a fresh buzz and keep their fans involved. Along the way, fans are entertained by updates status (via twitter and facebook) on how the new song comes along, they are able to see works of art for the new single and the sense of being part of the action as Audio Runner frequently posting videos of the song on their chain production process YouTube (youtube.com/audiorunnertv). When it comes to the use of social media on the market of their music, these guys really "get it". Oh, I did mention that they give always their music away for free on its Web site? You can download in directly from www.audio-runner.com
Most of the lyrics is written by Gerritt and Andy. Andy Gonzalez is a former underground hip-hop artist who finds himself trapped by the unique size of hip-hop music. "" I grew up playing guitar and learning the songs of Led Zeppelin, "he said" drums, piano, trumpet... all that. I love music, hip-hop and all poetry and rhyme intrigues, but I always felt that I could do much more. I hooked back up with Gerritt and Ryan and is like a breath of fresh air after being underwater for 5 years. "It was magical." Gerritt accepts, he began too faced with feeling frustrated only to hip-hop music. "I did hip-hop beats for almost a decade," Gerritt smiles when he speaks "and at one point, that I felt as I did step do for me anymore." So I stop to music…took a break. A few months later, sitting across from the computer and production started on something fun. It is a dance floor and after it has been done, I was like "whew…". "Ryan called me out of the blue a few days later and the rest is history. ?
On most songs, you will hear the singing voices airy, Gerritt soulful along to the music of the Audio runner. Even though he admits that he is not the best singer he also fails to give themselves enough credit. Its song is more than enough, and sometimes it is just perfect. However, there are times that some "lyrical acrobatics on the mic" (as Andy) are in order and Andy is more than happy fulfil this role. Don't let the fact that this guy has waived an idiot of career hip hop underground promising you. He meets his namesake creater Word Perfect and is quite the Acrobat on the microphone.
For all the combined talent of writing and to build a song Audio Runner, nothing gets final approval until it runs past the ears trained Ryan Daniel. A true engineer, it is a Gerritt and Andy reporter at when the internal music needs a tune up professional. Although you can find to give its contribution during the phases of writing and the nodding frequent approval, his talent and skill as sound engineer is his piece of the puzzle Runner Audio and probably the most important.
Audio Runner is Texas's best kept secrets, when talking about electronic music. They are a secret for the moment, but there are great things and big plans on the horizon for Audio Runner in 2011. With some podcasts, an album with all versions of 2010, their first show living and a fan of base that grows from a few hundred a month, it won't take long, until you find these guys being spoken in the same breath as Deadmau5 and Daft Punk. Andy said, "Runner Audio for life" and I could not agree.
VIVa la MUSiCa that it is Lights Out - decade by Steve Lawler
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Lights Out - Decade Steve Lawler needs no introduction, however, he is going to recieve a standing ovation with some Salsa and Merenge from me, as he is set to release ‘Lights Out – Decade’ on 28th May to celebrate the 10th Anniversary of its inception, the fourth instalment of his revered mix series, this time on his own VIVa MUSiC imprint.? Comprised of a series of exclusive releases and Lawler re-edits, ‘Decade’ is an exercise in artistic excellence, and confirms Steve Lawler as an artist still at the forefront of the electronic music scene.
The depth and diversity of the electronic sounds are exceptional, with many of the tracks ’screaming at ya’ with contagious beats and rhythm, whilst the MUSiCa Magican immediately seduces the listener to dance wherever they may be. The outrageously sensual and sassy, lights on or out Livio & Roby – Moduri definitely has the Pavlov’s Dogs affect and will have you salivating all the way to the dance floor.
Latino vibes are the order of the day for the brilliant Ray Roc & Gabe Ramos – Your Soul. I dare you not to whistle to the mighty powerful and deeply mesmerising Steve Nash – Safari Der Bunten Vogel, this track had me dancing non stop all the way to the coffee pot; I was unshamedly and deeply content with the kitchen dance party vibez, as the music dictated the moves.
Be prepared for some regression therapy with the excellent Frivolous – Ostalgia, the chimes will be incredibly comforting for those who had a musical trinket box as a child.
Christopher Groove Vs Brothers Vibe – Juan Pachanga (El Baile) Remix had me dashing to the bathroom for a cold shower. The Latino dance vibe combined with the exquisite male vocal, will have every person who appreciates the beauty and perfection of the sexy and emotive male vocal, begging for more!
As an artist, Steve Lawler’s releases and remixes have been signed by some of the worlds most established recording labels; R&S Records, Systematic, Drumcode, Harthouse, Cocoon, MBF, OVUM, Sci+Tec, Tsuba, Souvenir, Rekids, Boxer Sport, Be As One, Monique, Kostbar, Soma, Skint and of course his own recording label VIVa MUSiC.
Steve Lawler will no doubt take immense pride in this release being truly unique. The track selection features a series of exclusive releases, with many being subjected to the tried and tested Lawler re-editing process. This, explains Lawler, is an approach that will make the release a unique listening experience.
“In this day and age, a mix compilation needs to be special in some way, as DJ mixes are freely available all over the internet. So my plan was to have as many tracks as possible exclusive to this album, being released no-where else but here. That along with every single track being re-edited or re-arranged makes this in some ways more than just a mix compilation.
I want my fans to get a mix of tracks that are unique to its own arrangement and composition… when you buy the tracks as singles people will get the original version of the track which in some cases may sound very different. Only with the version on this mix will they get my re-arranged versions – this is, and always has been, the tradition of my Lights Out albums” – Steve Lawler
And with a tracklisting that features some of the finest established and upcoming producers, it is apparent that Steve Lawler has his finger on the pulse today, as much as he did with each of the preceeding ‘Lights Out’ mixes.
Another Noteworthy highlight is Davide Squillace’s remix of Audiofly’s track ‘Fela’ with it’s dark hypnotic vocals and chugging rhythm.
Steve also employs fellow groove assassins The Martinez Brothers with there track ‘Issshhh’.
A fantastically thought out and well rounded mix compilation from one of the scenes leading lights. So make sure you turn off the lights, and enjoy in the ambience in which it’s creator intended…
Tracklist:
CD1
1.???? Lights Out Decade Intro Part 1
2.???? Livio & Roby – Moduri – Vakant
3.???? Portfolio – Hatton Gardens – VIVa MUSiC
4.?????????? Lauhaus – Poison (Anton Pieete & Bart Skills Remix) – We Dig
5.?????????? Samuel Dan – I Don’t Need It – Sincopat
6.?????????? Audiofly – Fela (Davide Squillace Simple Chaos Remix) – Get Physical Music
7.?????????? Amir – Imperial Moments – Trapez Ltd
8.?????????? Ray Roc & Gabe Ramos – Your Soul – VIVa MUSiC
9.?????????? Little Fritter – Bubbling Bafoon – Affin
10.?????? Ralph Sliwinski – Minomess – Moon Harbour
11.?????? Frivolous – Ostalgia – Cadenza
12.?????? Peter Bailey & Richie Santana – Inside Out (PBRS Mindcontrol Mix) – VIVa MUSiC
13.?????? David Lara – Beats & Scratches – VIVa MUSiC
14.?????? Omid S – Osaluna – Rapid Fire
15.?????? Adam Port feat Daniel Wilde – Basement – Moon Harbour
16.?????? Steve Nash – Safari Der Bunten Vogel – VIVa MUSiC
17.?????? Cristobal Paz – Dubongo (Franco Cinelli Remix) – Esperenza
CD2
1.?????????? Lights Out Decade Intro Part 2
2.?????????? Sasch BBC & Caspar – Give Me a Direction – VIVa MUSiC
3.?????????? Alfredo Mena – Yeah – VIVa MUSiC
4.?????????? Ralph Berr – A Beat of Common Sense – VIVa MUSiC
5.?????????? The Martinez Brothers – Issshhh – Objekivity
6.?????????? Sante & Thomilla – Got You (Amir Remix) – Bouq
7.?????????? David Lara – 3 Minutes – VIVa MUSiC
8.?????????? Richie Santana – Lower East Side – VIVa MUSiC
9.?????????? Kaiserdisco – Amalfino (2000 and One & DJ Madskillz Remix) – MBF
10.?????? Lauhaus – Poison – We Dig
11.?????? Christopher Groove Vs Brothers Vibe – Juan Pachanga (El Baile) Remix – Mixx Records
12.?????? The Machine V’s Jonathan Cowan – Sultan – VIVa MUSiC
13.?????? Adam Port – Tell You – Moon Harbour
14.?????? Ambos & Profound – Clarinda – VIVa MUSiC
15.?????? BNZO – Moonshake – VIVa MUSiC
Buzzin Media’s – ‘Lights Out – Decade’ – Too Hot Not To Tracks
CD1
2 (Salivatingly Sassy)
4 (Powerful bass)
8 (Latino vibes that will have you non stop dancing)
11 (Beautifully nostalgic with a perfect melody)
13 (Beats & Scratches to die for)
16 (I LOVE dem Bongo’s; a mega mesmerising track with a little whistle)
17 (Pulsating and hypnotic rhythm and bass awesomeness with some Salsa Sauce… DeeeLushious)
CD2
2 (Cleaning out the closet of your mind for some fresh and inspiring electronic magic)
10 (Delightfully DeeLushious)
11 (Tantalising male vocals with a cold shower requisite for the teased)
12 (Be prepared to be charmed)
13 (Awesome bassline)
Lights Out – Decade is without doubt an incredibly provocative and powerful dance album.
What I listen to: Alexis Taylor
Alexis Taylor: a fan of songwriting is ambiguous. Photo: Mark Wieland/Getty ImagesI love it as well for the song as for beautiful, fluid guitar lines which open it. A wonderful record.
It's an old house tune I listen a lot. It has a spiritual transcendence in this regard. Very edifying.
It is the Mingus plays Piano, an entire album of piano improvisations and compositions tomb. The song, as the album, is very nice - full of melody and sadness.
The title song of my discovery of the favorite album of recent years. This English-language of registration by an Italian artist has a sort of clumsy, but also a poetic beauty which is really quite surprising. Parts of synths are gorgeous, too.
This ballad, written by R. Kelly, is full of inverse and alternative meaning depending on whether you take the perspective of Kelly R or Whitney. The fabric of the ambiguity of the great songwriting.
On the album of the group, start and complete, is out now
Festivals of psychedelic Trance around the world.
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The psychedelic trance music culture first gained momentum in the UK during the mid-1990s, and it has since expanded to many other countries that host their own dance festivals for devoted fans of this unique genre. Psychedelic music creators layer instrumental melodies over fast-paced, repeating riffs.
They then combine these with various rhythms that result in a style that differs from other forms of electronic music such as industrial or techno.
Various DJs and artists have contributed their own musical signatures to psychedelic trance, which has helped to create sub-genres including dark, techno, and progressive forms of this music. Fans interested in hearing new psychedelic sounds have plenty of choices when it comes to attending an electronic music festival.
This festival takes place in Western Victoria, Australia during the Southern Hemisphere summer. The 2011 Rainbow Serpent was held from January 21st to the 24th in Melbourne. Ticket prices range from $165 to $225 and grant access to all events and performances over the four days of the festival. While Rainbow Serpent has not previously sold out, it does have a limited capacity of roughly 9,000 to 10,000 people. Tickets can be purchased online or at a few different local Australia retailers a couple of months prior to the festival.
The Rainbow Serpent Festival is not only an electronic music festival; it is also a showcase for visual and performance artists as well as for holistic arts such as yoga, massage, and meditation. A popular feature of the festival is the Lifestyle Village, where visitors can participate in workshops teaching creative art therapy, dance, Qi Gong, and much more.
Psychedelic trance music performances at the Rainbow Serpent Festival take place on a main stage and several secondary stages. The festival’s website has a list of performers with their scheduled times on stage so fans can know when to catch their favorites. The main dance area is called The Playground, which is one of the places to see and be seen at this dynamic festival.
Rainbow 
Homepage: http://www.rainbowserpent.net/
Social Media:
The Indian Spirit dance festival is one that blends psychedelic trance music with cultural influences from traditional Indian culture. This gathering happens once a year in Northern Germany during the first weekend of September. Tickets cost between 40 and 45 Euros, or about $63-$67 USD. Up to 7,000 guests attend each year, and many purchase tickets well ahead of time to ensure a spot. This festival is an open-air outdoor one, and most attendees set up camp for the entire weekend. Festival organizers provide amenities such as showers, trash collection, and weather-resistant portable dance floors.
The electronic music selection at the Indian Spirit Festival is one of the most diverse. Psychedelic artists play every sub-genre from dark wave to progressive to minimalist. The festival truly offers something for everyone in terms of music styles, whether visitors are newcomers or seasoned fans of the psychedelic trance music scene. A prominent philosophy behind this festival is reconnecting to the essence of nature through group dance and celebration.
Psychedelic music artists travel from a variety of countries such as Israel, Sweden, and Brazil to perform at the Indian Spirit Festival.
Homepage: http://www.indian-spirit.de/
Social Media:
The Sonica Dance Festival is a yearly event held in Italy. The 2011 Sonica will take place from the 12th to the 16th of August on the beaches of Montenegro. Tickets are available in advance online for 65 Euros, or $95 USD. The venue has an extensive line-up of well-known psychedelic trance artists performing on both a main stage and an alternative stage. The number of festival attendees can be greater than 10,000 due to the nearly unlimited outer space for this festival. Some artists who perform at this event are known for their mixes of different styles, commonly called “psygressive” musical styling.
Sonica organizers create not only a dance and music festival but also a space for artists to showcase their work. Many avant-garde architecture enthusiasts build intricate temporary structures that are reminders of sculpture work in any art gallery. Performance artists also have opportunities to perform at various times throughout the Sonica Festival.
The healing arts are an additional feature at Sonica; guests have chances to enjoy massages, meditation classes, and yoga seminars. Ecology is a focus of this festival, with workshops dedicated to reducing environmental impact and enjoying green living. Every aspect of the Sonica Festival is designed to leave as little trace as possible and to celebrate the natural world.
Homepage: http://www.sonica-dance-festival.eu/
Social Media:
This popular event is known for its blending of music with diverse visual art and culture from as many different inspirations as possible. The festival is held in Idanha-a-Nova, Portugal every other year in late August; it is specifically scheduled according to the cycle of the full moon. Ticket prices start at 130 euros, or $185 USD for the BOOM Festival itself. An additional after-party called After BOOM is an optional inclusion for about $228 total. The festival organizer offer a shuttle bus from major airports to the festival venue for an additional $78, not including an added transaction fee.
The BOOM Festival is one of the largest of its kind in Europe, with a maximum capacity of 26,000 guests; the event has sold out in the past as well. Tickets and bus reservations should be made at least a few months ahead. Early ticket sales can be arranged through event coordinators known as BOOM Ambassadors, who can also handle bus reservations on a first come, first served basis. An alternative is to purchase electronic tickets through the BOOM website, though these can often sell out quickly.
Keeping with the spirit of the lakeside surroundings, the psychedelic music at the BOOM Festival often leans toward ambient and easier grooves. Indeed, there is even a dance floor section called the Groovy Beach floor. The focus of the BOOM Festival is to create greater connections between mind, body, and spirit through dancing in large groups for an extended time. Many participants report greater non-verbal connections with others through this practice as well.
Boom festival organization offers unique podcasts to global audience through their website, here is one of the latest podcasts by M-Theory:
Mindstream 13 – The Boom Radio Podcast by M-Theory
Subscribe to more:
http://feeds.feedburner.com/boomfestival/radio
Homepage: http://www.boomfestival.org
Social Media:
Feel free to get us feedback with exciting stories from festivals you’ve attended!
See you at the dancefloor!
London Night Club - Vs ReviveHER naive Melody at Dalston Superstore
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ReviveHER Vs naive Melody at Dalston SuperstoreLondon
the ReviveHER joins forces with Manchester based naive Melody may 28 at Dalston Superstore, with a baptism which could not be more musically akin to both parties if they tried. With more than 5 years of successful parties under their belt, Naive Melody made a name for themselves as one of the most infamous hotspots of the Northwest with their anything goes political music and the spirit of free party emerging in a Chinese karaoke bar in the gay village of Manchester. Promoter Elliott Mess making the sale in its northern allies, is migrating to the South in the capital to join the Favorites of Superstore ReviveHER.To celebrate their first party together all preferred Dalston hangout chose friends and class world record collectors Tiago and DJ kaos (T + K) to fly over their native Lisbon and Berlin respectively, to turn the back to back, from the beginning at the end of the night.
Tiago has raised a fantastic discography since his first solo release in 2007 on the label as the Italians Do it better (such as T + K - Tiago and Kaos), DFA, Hands of Time and Eskimo name a few. He is also the man of the moment go for remixes, with its amendments and productions praised and decision-making in charge of such rub n tug to Andrew Weatherall. However, it is his residence for weekend for a long time to the infamous Lux in Lisbon and its reputation as a DJ that has attracted our attention. Sets as long as 6 hours + are not uncommon, where techno, house, Dub, rock leftfield disco all have their place on the dance floor.
Career in the music of DJ Kaos spans two decades, with releases on Compost, Rong, fad, Clone and Italian Do It Better not to mention his eclectic DJ mix released on famous DJ Kicks series and two compilations/mixes with legend liquid liquid Sal Pon the basis of records and Skylax Records. His reputation as a producer and a man of great taste varied, has earned of remixes for artists such as Roxy Music (Bryan Ferry), Klein + MBO to punk revivers of NYC post! (chk chk chk). And ain't Kaos Kaos for nuthin. With its reputation of being a cavalier party kaotic and launch more unpredictable cascades as well as kill behind the DJ booth, we are extremely pleased to see what is happening at the feast, or more likely, to the party after.
Tiago and Kaos have acclaimed throughout America and the Japan. It is now time for the Dalston! The opportunity should not miss to see these two DJ / producers play together in such an intimate space in London. The upper floor will feature the residents NM and HR Bi-Bop and Elliott Mess it fighting for the winners sounds throughout the night with guest out and Superstore EBS Dan Beaumont.
ReviveHER Vs naive Melody at Dalston Superstore
Saturday 28 may
Free entry before 10 pm / ￡ 5-license special purpose 4 h in the morning
For more information, visit www.facebook.com/ReviveHER
Basement:
Tiago (FDFA / ESP / Claremont 56 / Lisbon)
DJ Kaos (Jolly James / FDFA / K7! / Berlin)
Bar:
Dan Beaumont (Dalston Superstore / Jam Factory)
Elliott Mess (naive Melody)
Bi-Bop (ReviveHER / Cool in the Pool)
Republic of KaZantip Music Festival
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Dance Music Festival KaZantip Republic - UkraineRepublic KaZantip
July 30 - August 27, 2011
Crimea, Ukraine.
Republic KaZantip returns to the beautiful coast of Black Sea in Crimea in the 30 July be, confirmed, – 27 August because it is the 19th year of celebrations! Best described as the event of electronic music more crazy, the more long, mind-blowing, liveliest and most unusual that you could never imagine, the Republic of KaZantip exists in a parallel reality according to the ideas of his own PreZident: "summer throughout the year" and "life without pants". The sun shines, the sea is swinging, music is singing on all sides and the wind is always blow strong enough for the Republic of the national sport of kitesurfing. This small land of the rising fun is at home in adventurous, tanned fun-seekers not willing to wave goodbye to their childhood.
Republic of KaZantip is a space where people can fully express themselves: DJ, musicians, producers, directors, designers, artists, interpreters or performers, freaks, beautiful dancing girls and kitesurfing tonic boys. After comparing to Ibiza and Burning Man, KaZantip has a wide range of parties 24/7, art projects and a community of people crazy set against the spirit that breathtaking back drop of a light show technicolour.
Each year, hundreds of internationally renowned electronic music artists landed in the Republic of KaZantip. DJs such as Sven Vath, Dubfire, Timo Maas, M.A.N.D.Y., Seth Troxler, dOP, Paul van Dyk, Armin van Buuren, LTJ Bukem, Oliver Huntemann, Ricardo Villalobos, James Zabiela, Stanton Warriors, Robert Babicz, Guy Gerber and Rhadoo have carried out the previous years and line-up of this year is set to be larger and more than ever before. The names will be announced very soon... With 6 cheeky, 30 bars and restaurants, 2 rooms outdoor Crimea, kite 3 stations and a large number of architectural constructs that cannot you even imagine, KaZantip is a paradise party unknown.
It is not only the thousands of party revellers who love week 4 long party on the beach in the DJ Ukraine…the and artists love it too.
The KaZantip lineup will be announced watch very soon therefore this space for more information.
Main events of KaZantip Republic Music Festival 2011:
July 30, opening the door
Aug 06 2011 Kazantip opening ceremony
Aug 11-14 August music second Summit on March
14 August: August 18 lives on Mars
20 August 2011 Kazantip closing ceremony
Aug 21 - August 27 Mars overnight
Travel:
Nearest airport - Simferopol
Then about 1 hour by taxi (cost around $50)
By train in Evpatoriya
Then bus ($3) or by taxi (about $20)
Accommodation:
There are 3 options - village Popova, Mirniy and Kosa.
Popov is a hamlet of five-street, five minutes walk from the Kazantip - there will be no difficulty to get back home from the beach in any condition and at any time. Almost every house offers rooms for rent; prices vary from $ 15 to $ 150.
Mirniy is a small block of the city of apartments within 20 minutes of Kazantip, where you can rent an apartment in multiple room for your whole family or a friend group. Kazantip walking distance or you can take a taxi for $10-20.
Kosa is sand between Popov and Mirniy fill that separates the sea since the Donuzlav Lake, approximately 15 minutes from the Kazantip area. There are many comfortable villas and hotels but more difficult to reach by public transport / taxi you would need to rent a car.
Silver:
Ukrainian Hryvnia (1 euro = 9.5 hryvnas, $1 = 8 hryvnas)
5 - 6 points for cash.
Food & Drink:
Many different options of fast, regular recovery flat Ukrainians.
Complete dinner – 35 – 50 hryvnas
Republic KaZantip Music Festival tickets:
Festivalgoers are issued a special visa similar to a credit card with a bar code, which allows access in and out of the Republic of Kazantip. Visas are issued on the spot and are not available to purchase online before the event. There are an infinite number of tickets available during the whole of the event.
There are two types of Republican visas:
1 - Plastic multiple entry visa, granted for a period of one month, allows multiple entries in the Republic. Multiple entry visa will cost about €100.
2 - Entrance single visa, visa for transit or tourist visa, valid for one and only visit and cancelled as soon as the visitor leaves the territory of the Republic. Single entry visa is available for €50.